Adèle Exarchopoulos and Matthias Schoenaerts play ill-starred lovers in this entertaining but shallow romantic crime melodrama. By all means, sit back and enjoy the performances, sex, action and tragedy - but don't expect any deeper exploration of the characters.

The story behind the making of this film is incredible, as is its core idea. Unfortunately, the execution is dull. Some appealing neon-drenched cinematography and a quirky turn by Billy Zane (not typecast as a boo-hiss villain for a change) fail to save it.

A small-town American housewife finds both passion and a new direction in life thanks to jigsaw puzzles and her relationship with an eccentric inventor (played by Irrfan Khan). It's a quietly impressive small gem of a film with characters who feel real.

Francis Lawrence's attempt at modernising the Cold War thriller is a jarring and unpleasant mix of musty old cliches, rape, torture, romance and feminine empowerment. It has its moments as well as some fine performances but it's not particularly enjoyable.

This heartfelt homage to Creature from the Black Lagoon is a hymn to the wonder and power of fantasy. The affectionate world-building, bruising view of 1960s social attitudes and the excellent performances by Sally Hawkins, Michael Shannon, Richard Jenkins and Octavia Spencer make up for a somewhat predictable story.

Harry J. Ford reviews this raw, intense Yorkshire farm-set romance between a farmer's son and a Romanian immigrant, starring Josh O'Connor and Alec Secareanu.

Dave Longmore looks at the romantic comedy The Big Sick, directed by Michael Showalter.

Sometimes you just need classily-mounted pulp in your life, such as this adaptation of Daphne Du Maurier's novel.

Joyous blend of genres presented with heart and a cinematic sense of cool that cannot be faked.

Terrence Malick's dreamlike look at two intersecting love triangles is hard to rate objectively.